Performance
Hibakusha (Japanese Bomb Survivors)
Save the Date!
with Big Apple Playback Theatre
Monday, May 3, 2010 at 8 pm
Tickets $12, Students/Seniors $10
Buy tickets!
Big Apple Playback Theatre is a professional physical theatre company that brings true stories told by the audience to life on the spot using movement, music, metaphor, text, and poetry.Read more
Hold the Clock
by Yoshiko ChumaSaturday, December 5, 2009 at 7 pm
Admission by donation
Performed by Yoshiko Chuma, Ursula Eagly,
Jun Kim & Mina Nishimura
Images by Rie Ono, Sound by Kohji Setoh
in Japanese with English subtitles
CRS invites you to join us for a first public reading (with projected subtitles and sound design) of Yoshiko Chuma's HOLD THE CLOCK. Inspired by the writing of Japanese student radical Genichiro Takahashi, HOLD THE CLOCK continues Ms. Chuma's multi-year investigation of the aesthetic and philosophical questions and responses that arose during the revolutionary movements across the globe during the 60's and 70's. Takahashi was arrested as a student radical and spent half a year in prison, a harrowing experience that rendered him incapable of reading or writing for several years. His subsequent first book, Sayonara, Gangsters, captured the era's punk lyricism and irreverent upheaval of social convention and took the Japanese literary establishment by storm.
This work-in-progress showing of HOLD THE CLOCK is the culmination of a residency at CRS made possible in part through a grant of public funds from the Manhattan Community Arts Fund, supported by the New York City Department of Cultural Affairs and administered by Lower Manhattan Cultural Council. With additional support from NYSCA and from the Performing Arts Japan Program of Japan Foundation, this work will have its official premiere as part of the 92nd St Y Harkness Dance Festival Anniversary Season: Past-Future-Now March 19−21, 2010. This production is part of the Performing Revolution in Central and Eastern Europe, a performing arts festival marking the 20th anniversary of the fall of communism in Central and Eastern Europe, presented by the New York Public Library for the Performing Arts in partnership with key New York City cultural organizations and academic institutions, November 2009—March 2010. www.performingrevolution.org
David Finkelstein & Cassie Terman
An Evening of Live Improvised Theatre
& Improv-Based Video
Saturday, November 14, 2009 at 8 pm
General Admission $12, Students/Seniors/CRS Members $10
CRS (Center for Remembering & Sharing) Presents an evening of live improvised theatre and improvisation-based video created by David FinkRead more
David Finkelstein & Ian Hill
An Evening of Live Improvised Theatre
& Improv-Based Video
Saturday, November 7, 2009 at 8 pm
General Admission $12, Students/Seniors/CRS Members $10
CRS (Center for Remembering & Sharing) Presents an evening of live improvised theatre and improvisation-based video created by David Finkelstein of Lake Ivan Performance Group. Two recent works will be screened: "Terrifying Blankess" (featuring Cassie Terman) and "Marvelous Discourse" (featuring Agnes de Garron and Ian W. Hill). Preceding the screenings, Finkelstein and Hill, along with Emmy-nominate musician Steve Sandberg (David Byrne, Ruben Blades), will demonstrate the beginnings of the improvisational process used in the films. After the screenings, you are invited to stay for a glass of wine and an informal discussion with the artists.
Directed by David Finkelstein
Created and performed by
David Finkelstein and Cassie Terman
Music by David Finkelstein
Editing, sound mix and visual design by David Finkelstein
Total running time: 30 minutes
Based on a completely improvised performance, "Terrifying Blankness" examines the dilemma of choice. Paralyzed by the fear of making the wrong move, the two protagonists find themselves either trapped on the wheel of desire or else trying to escape from the fear of choice entirely by withdrawing into an empty blankness. Lemons, snakes, and swans are among the curious images which play a part in this existential drama. Will they finally locate the inner voice which will guide them in their decisions?
Directed by David Finkelstein
Created and performed by
David Finkelstein, Agnes de Garron, and Ian W. Hill
Music by David Finkelstein
Editing, sound mix and visual design by David Finkelstein
Total running time: 21 minutes
Language passes through the body, meaty, corporeal, and breathing. Do you adopt the stereotypically "male" strategy of verbally lunging at your opponent, trying to skewer him rhetorically, or do you adopt the "feminine" approach, like the Oracle of Delphi, and open your body to allow voices from the beyond to speak through you? "Marvelous Discourse" uses cave art, shadow puppets, and a visit to a café in the Israeli town of Endor, among many other images, to explore the gendered experience of language-in-the-body. The text for the video is completely improvised by the actors, as a spectacular example of language unfolding from an intuitive physicality. "Marvelous Discourse" was screened by the Gemini CollisionWorks in New York.
Finkelstein's videos are founded on the improvising actor's art of spontaneously creating poetic and evocative texts. The groundwork involves videotaping two actors, gesturing and tossing brief monologues back and forth, creating a picaresque dreamscape. Back at his computer, Finkelstein modulates and mutates the footage through elaborate video wizardry. The work has won awards at several film festivals and is available as single channel DVD releases. Read more





